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Album Reviews

Album Review: Millie Manders and the Shut Up – Wake Up, Shut Up, Work

Millie Manders and the Shut Up – Wake Up, Shut Up, Work

Release Date: 2nd August 2024

With a tour starting this week, Millie Manders and the Shut Up are back with Wake Up, Shut Up, Work; a gritty album that pulls no punches when addressing global political turmoil and personal struggle. Known for their fusion of punk, ska, and biting social commentary, the band takes their sound to new heights while maintaining their fiercely independent spirit. But does the album manage to intertwine its powerful messages with memorable melodies?

Kicking off with ‘Angry Side’, an explosive start with a riff reminiscent of classic punk from Green Day and The Offspring. Manders reflects on childhood anger, underscored by a lively composition that lightens the otherwise heavy message. ‘Shut Your Mouth’ follows with untamed energy, while tracks like ‘Windows’ take a more poetic approach showcasing Manders varied background; “I’d always done poetry and stuff so lyricism for me was just something that was supposed to happen” says Manders in an interview with Hardbeat.

Alongside the album’s introspective themes, one of its most hard-hitting songs is ‘Me Too.’ It delivers a raw, emotional punch with its powerful lyrics addressing sexual abuse and the #MeToo movement. The dynamic instrumentation compliments Manders’ strong vocal delivery, creating both a cathartic and anthemic statement. Its blend of defiance and vulnerability makes it one of the standout tracks on the album.

Shifting gears slightly, Wake Up, Shut Up, Work introduces the album’s earworm: ‘Fun Sponge.’ This vibrant piece tackles toxic relationships with infectious brass sections and humorous lyrics that explore emotional drainers in life, making it a truly contagious listening experience. The playful tone contrasts sharply with the previous song, demonstrating the band’s knack for balancing serious themes with an upbeat sound.

Following on, ‘R.I.P.’ and ‘Halloween’ slow the pace with melodic riffs that poignantly echo the end of relationships; utilising thoughtful storytelling to give context to the listener and evoke emotion. In contrast, ‘Rebound’ and ‘One That Got Away’ deliver empowering takes on dating, embodying Manders’ desire to “speak my truth in the way that I see things” by offering a more liberating outlook on the situation.

The album’s socially conscious themes are further explored in ‘Threadbare’, where crisp talk-sung lyrics address the cost-of-living crisis over a punchy tune. Manders explains that the lyrical intent for the album was, “to get out some of my frustrations about a lot of things,” capturing the essence of her creative drive and adding yet another layer of depth to this compelling collection.

‘Can I Get Off?’ brings a hard-hitting critique of corruption, war, and selfishness, calling out so-called “leftist” musicians who fail to take a stand. This message runs throughout the song as it builds a sense of frustration with the state of the world and the desire to escape it. The intensity of the track makes it one of the most politically charged songs on the album, demonstrating the band’s ability to blend activism with music.

Finally, in ‘Pressure’, Millie Manders and the Shut Up deliver a fast and funky punk anthem that masterfully captures the weight of anxiety and the fear of failure. With guitar and bass lines that build in intensity, immersing the listener in a palpable sense of pressure.

Overall, Wake Up, Shut Up, Work is an album that perfectly balances its messages of personal reflection and social critique with its vibrant sound and compelling melodies. As Millie Manders elaborates on the vision behind the album, she emphasises, “It’s an evolution in sound” for the band, showcasing their growth through diverse styles that blend punk and ska while remaining authentic. She adds that it “was a collaborative project that has seen us work through a whole bunch of themes,” which has given the album both the energy and the activist message to inspire change.

All quotes in this review were taken from an interview with Millie Manders conducted in July 2024. The full interview will be included in Issue 6 of Hardbeat Magazine. Preorders coming soon.

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